I have some news for Michelle West readers.

But first, a small digression.

I’ve said before, and will no doubt say again, that no two writers I know work in the same way. It doesn’t matter what their stated process is; when you get down to details, the process that sounds the same actu­ally differs widely.

Some writers are outliners. They can write an outline which they can more or less follow, and use the outline to guide their story as they write the actual book. I can’t. I’ve done it once, and what it taught me was that it’s not a guide — for my partic­ular creative process — it’s a straightjacket.

Some writers can look at a story and have a natural feel for its length; they know when the story will be too big — or too small — for a single novel. They know if a novel is roughly 100k words, or 125k words. I envy this in the same way I envy someone who is fluently bilin­gual, because I am also inca­pable of this.

My editor at DAW, Sheila Gilbert, has worked with me for nine novels now. She knows my writing, she under­stands my process, and she under­stands the way I parse novel struc­ture. She asked me, once, for an outline, and when I fell silent — and I’m not gener­ally silent, but she’s patient with this — she under­stood that outlines were not some­thing that worked with my process. This would have been after Hunter’s Death was completed and handed in.

We had discussed what I would do next, and I told her that I would like to write a duology set in the same universe as The Sacred Hunt. She asked me what it was about, and I told her; she asked me for some­thing on paper, and I believe I gave her two double-spaced pages. It might have been less. But knowing the way I work, she bought the two books on those two pages.

(I should add here that the first three chap­ters of the first draft of Broken Crown were actu­ally about Kiriel’s child­hood. They didn’t work, in the end, and they are the only chap­ters that haven’t worked that I’ve kept.)

You’ll note that I’ve said ‘duology’ and ‘two books’ here. You will also note, if you’ve read them, that there are actu­ally six books in The Sun Sword.

I knew that Broken Crown ended with a scene between two char­ac­ters. But this was before I started to write it. The scene that I thought would end the first book occurred at the end of the third book, because the war and the poli­tics of the war were far more compli­cated than I antic­i­pated, and because there are some emotional trans­for­ma­tion arcs that simply don’t work if they’re too compressed.

I knew what the end of the series would be; I knew where it was going. (I’m trying very hard to avoid spoilers here, just in case.) But…I didn’t realize how long it would take to get there because all of the emotional depth and tone of a work come out only in the actual writing of it, for me. Before I start to write, I plan, I research, I build back­grounds (and try to figure out how the hell an army of any size both moves and gets fed, but that’s a different post), I look at the balance of power, and magic, of gods and immor­tals — all of these things are done before I start to write the actual book. But the emotional weight and mood of a book only comes when I write.

And the people become real only then, as well. The writing itself is a form of alchemy that brings life to the dry facts of research. The excite­ment — and the frus­tra­tion and the uncer­tainty and the joy — is in the writing, not the planning.

I always think the story will be shorter than it is. Always. I think this is partly self-defense, because some­times the length of a novel seems so daunting at the begin­ning, and begin­nings for me often require several starts before I find the right way into the story itself. But it’s partly because the nuance and the complexity occur as I’m in the middle of it, and not before.

You’re prob­ably wondering where this is going.

It’s been over a year since Hidden City was published in hard­cover, and since then, the paper­back has been released. And I have been working on the next book in the series the entire time. In June of last year, I wrote that I was tying up two long arcs on the way to House Terafin. As usual, this tying up took a little longer than I thought.

But I did. Then, instead of ending the book there, I thought It’s only a few hundred more pages once they reach Terafin. I can just fit that in as well. I kept writing.

Six hundred pages later, with at least another two hundred pages to go, I accepted the inevitable. I could not, in fact, fit in the second, closing arc, unless I started to cut several hundred pages. I sent what I’d finished to my editor to ask her what she thought. She agreed that both arcs would not fit in a single book, and also emphat­i­cally rejected the possible cuts.

And so, we come to the point of this long post. The two arcs, which will bring to a close the early life of Jewel and her den, will be published as two sepa­rate books. The first of these, CITY OF NIGHT, is schedule for March of 2010. I am not quite finished the second, HOUSE NAME, but that’s a couple of months away, now.

I want to apol­o­gize for the delay, and for the pecu­liar­i­ties of my writing process. While I was waiting to hear back from my editor, I started the ground­work for HOUSE WAR, which will follow HOUSE NAME. The battle at the end of Sun Sword changed the world in ways that weren’t imme­di­ately obvious, but some of those will become obvious as the House War is fully joined.

I do know where things are going, I promise. I will finish these books, just as I finished Sun Sword. I love these char­ac­ters and their world and their stories, and I will, I’m certain, weep to see them go when their stories are finally done. But…I don’t know how many books it will take. I want to be able to tell you, because it’s one of the ques­tions I’m most frequently asked.

The truth is, I don’t know. Every time I try to come up with an answer, I’m wrong, and I feel guilty — and vaguely unpro­fes­sional — because I’ve gotten it wrong again, and I know that’s disap­pointing. I was trying so desper­ately to fit all of this into the one book because I’d said it would be one more book. And it’s two.

So I’m going to try to avoid that part, at least for a little while. I will say that, having laid out some of the ground­work for the House War, I can’t see it being one book. That’s a guess. But for fear of making the same mistake, I’d like to leave it at that for now; to say that CITY OF NIGHT is finished, bar revi­sions, and that HOUSE NAME is almost finished, bar same, and that the House War has just been started.

– Michelle